Al-Hamdani referred to the language of theater expressed in shifting and fixed words, in addition to multiple connotations such as (music - screaming - blood - tragedies ... etc.), which is the expressive language as it replaced the spoken language in theatrical discourse, and this indicates the absurdity of abstract language that carries words that are incomprehensible and incoherent between the characters, as it makes the recipient not integrated with the event and more sequential of what is happening in front of him. This integration within the theatrical text is a second language, in a different way from the cultural product of the theater, especially since the theatrical language varies and varies according to the circumstances and data; Keywords: text Transformation, Persistence, Language, Theatre,
ABOOD,K Y . (2024). Language of the Theater: Between Transformation and Stability Hamla'a tragedy of Mohamammed Khuder Alhamadany as a model. Journal of Language Studies, 8(8), 28-42. doi: 10.25130/Lang.8.8.3
MLA
ABOOD,K Y . "Language of the Theater: Between Transformation and Stability Hamla'a tragedy of Mohamammed Khuder Alhamadany as a model", Journal of Language Studies, 8, 8, 2024, 28-42. doi: 10.25130/Lang.8.8.3
HARVARD
ABOOD K Y. (2024). 'Language of the Theater: Between Transformation and Stability Hamla'a tragedy of Mohamammed Khuder Alhamadany as a model', Journal of Language Studies, 8(8), pp. 28-42. doi: 10.25130/Lang.8.8.3
CHICAGO
K Y ABOOD, "Language of the Theater: Between Transformation and Stability Hamla'a tragedy of Mohamammed Khuder Alhamadany as a model," Journal of Language Studies, 8 8 (2024): 28-42, doi: 10.25130/Lang.8.8.3
VANCOUVER
ABOOD K Y. Language of the Theater: Between Transformation and Stability Hamla'a tragedy of Mohamammed Khuder Alhamadany as a model. JLS. 2024;8(8):28-42. doi: 10.25130/Lang.8.8.3
